![]() I still am super dramatic, but I was so dramatic back then, and I declared: ‘I’m not going to write ever again!’ I didn’t write for a year, and then I started writing my merman novel, The Vicious Deep. It was a lot of rejections that all said, ‘We have a Latino book on the list already and don’t see a reason to have another quinceñera book.’ That was 2008. I looked those up recently, because I was like, ‘Am I misremembering?’ I was not. #Age rewind foundation full#I would write my book and not pay attention in school, and then I would work full time at a bar, until I had a novel. I don’t know if these are discontinued, but it was some type of word processor. I would just write and write and write on my tiny, little, weird computer. I was in college, and I would write in anthropology class, because it was like a giant lecture with a teacher just talking for an hour. She asked me if I wanted to be a writer, and I said, ‘Of course, that’s why I’m here, to learn,’ and she told me to finish writing a new book. I learned what agenting was, how it worked, and that’s where I met my first agent. The owner passed away a couple years ago, but he had this agency for 30 years and represented a ton of eclectic authors. “I got an internship at a literary agency. I was 18, looking for internships and jobs in publishing, because I wanted to see how the sausage was made – and unfortunately, now I know too much. After that I wanted to know what the industry looked like, and that really sent me on a journey. The novel that I queried with is in my storage closet somewhere, since it never went anywhere. It was not a good book, but my query letter was better than my actual novel, so I did get some responses. I was 17-years-old and writing query letters and sending them to agents, because I had a book. #Age rewind foundation how to#Ann Angel, who writes creative non-fiction for YA and middle grade, taught me about how to query, what a query letter was, and introduced me Writers’ Digest. That’s where I learned about publishing as an industry. I did that for two summers – one summer it was playwriting, and the second summer was non-fiction. They invited 50 or so people, flew everybody out, we all went to a college in Vermont and spent spent days workshopping poetry, fiction, and one other genre. The National Book Foundation had a writing camp every summer for years – I think it was decades but don’t quote me on that – and it was completely free. ![]() Johnson, gave me an application for the National Book Foundation Writing Program. When I was in high school my social studies teacher, Mr. “I have an atypical story for my path to becoming a writer, I guess. ![]() She has written numerous tie-ins, including for Star Wars, and a contemporary retelling of Disney’s The Little Mermaid, Kiss the Girl, is forthcoming. Parker), an Ignyte Award finalist, and edited Reclaim the Stars: 17 Tales Across Realms & Space (2022). She co-edited anthology Vampires Never Get Old: Tales with Fresh Bite (2020, with Natalie C. Adult fantasy Fall of the Rebel Angels is forthcoming. Her standalones include adult novel The Inheritance of Orquídea Divina (2021) and middle-grade novels The Way to Rio Luna (2020) and Valentina Salazar Is Not a Monster Hunter (2022). #Age rewind foundation series#Other series include Brooklyn Brujas, with Labyrinth Lost (2016), Bruja Born (2018), and Wayward Witch (2020), and the Hollow Crown duology, with Incendiary (2020) and Illusionary (2021). ![]() Her debut novel The Vicious Deep appeared in 2012, followed by sequels The Savage Blue (2013) and The Vast and Brutal Sea (2014). After graduation she was an intern at a literary agency. She is a prolific author of fiction for children, young adults, and adults.Ĭórdova attended National Book Foundation writing camps in high school and began writing novels in college. ZORAIDA CÓRDOVA was born Jin Ecuador, and moved to the US at age six, where she grew up in Hollis, Queens, New York. ![]()
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